I had the honor of attending the release party for “The Cure for Dreaming” at Powell’s a few weeks ago. You can read about it here. When I saw this book cropping up on so many of the blogs I follow, I knew I had to look deeper into it. As I read more, I realized that this book was pretty much written for me. Women’s rights? Check! Victorian Era? Got it! The setting is in Portland, it involves Gothic elements, and the supernatural crops up? Check, check, aaaand check! There is also no denying that it has a beautiful cover. It is much prettier in person with a semi-metallic tone to it. There was no doubt in my mind that I would own this book. It was great to meet Cat Winters and have it signed. This was the first of her writing I have read, and it was wonderful introduction.
The most appealing aspect is the message– Even if you feel like you have no voice, you can still make a stand. You can make a difference. You are allowed to follow your dreams and they cannot be taken from you. What a wonderful message to send to our young people who can feel marginalized by the flood of dissenting voices and differing opinions that saturate the media. Like the 1900s where this is set, we are in the midst of rapid social, economic, and technological change and there are vocal extremists on all sides of the equation. “The Cure for Dreaming” is a story where teenagers can easily relate to the feelings and emotions of Olivia and her desire to speak out and bring forth social change without a contemporary setting. The themes of social equality, bullying, and emotional abuse are also contained between the covers, making the cure for dreaming quite a deep story for its relatively short length.
What sets “The Cure for Dreaming” apart from other historical novels with similar themes is the incorporation of paranormal elements as well as imagery from Dracula. I enjoy two types of vampires. The first are the sort of wolf-like predators found in Deborah Harkness’ “All Souls Trilogy”. Noble, long lived, yet unable to escape from the predatory instincts within them. The second, and most beloved, are Bram Stoker vampires. Use elements and imagery from Dracula, or talk about Vlad Tepas and Erzebet Bathory and I am hooked. Olivia’s visions after hypnosis are laced with imagery from her favorite novel, Dracula. These elements enhance the Gothic feel of the novel and gives readers a slightly different take on a historical novel. If you are a fan of the Bronte sisters or Jane Austen, there are pieces here you will love. My only real complaint is that sometimes the language felt a bit anachronistic, but this is definitely coming from someone who really enjoys Victorian literature and Steampunk.
I recommend this to a wide audience. There are strong male and female characters. The themes will appeal to many young adults, and older adults. If you are a fan of creepy novels, or paranormal, I definitely suggest you pick this one up.
If you have read it, what did you think?