Magical Realism

Book Review: The Red Magician by Lisa Stein

I must admit to having read more Holocaust fiction than can be considered healthy. I have a morbid fascination with frightening level of darkness that human beings can allow themselves to participate in. Nearly every major nation involved in WWII completed atrocities that today would be considered highly unethical. They did it for science. They did it out of fear. They did it because everyone who was not there ally had become “the other” and therefore, less than human. The psychology of it is both incredibly scary, and extremely interesting. When I read a Holocaust novel, or any WWII novel, I am looking for an exploration of the elements that could turn normal, loving, people into monsters. I am looking to understand the feelings of the victims. I am looking for a window into one of humanity’s most terrifying times. Stories like Markus Zusak’s “The Book Thief” and Tatiana de Rosnay’s “Sarah’s Key” are beautiful and heart wrenching examples of amazing Holocaust fiction. You understand the characters, and through them, you understand the true effects of the Holocaust. You understand the nightmare the characters lived. Next to such deep, emotional, and character driven stories Lisa Stein’s “The Red Magician” pales in comparison.

I do not want to say “The Red Magician” was bad. It wasn’t. The National Book Award sticker affixed to the cover is a testament to its technical flawlessness and uniqueness. The magical realism aspects were a fascinating glimpse into Jewish mysticism. Thematically, the story is rich. The characters embodied the belief that many Jewish communities held that surely the German government was not exterminating the entire Jewish population of Eastern Europe. It was unthinkable in the modern age. And, if they were, other countries would certainly step up and stop them before their reach extended too far beyond their borders. Many communities believed everything would be fine, despite the warnings they received. It also digs deeply into the desire to keep fighting, and survivor’s guilt.

Unfortunately, that is as deep as things got. The characters were incredibly underdeveloped. Strong relationships were created with little build up. A few pages of conversation, and suddenly the main character is in love. A handful of interactions, and another character is willing to take responsibility for another’s life. A page or two of confrontation, and life long enemies are created. I couldn’t convince myself that these relationships were real, or important, and therefore could not connect to the characters.

I remember reading “Bartleby the Scrivener” in high school. At a specific point in Melville’s famous story Bartleby apparently decides that he will no longer do anything. He would “prefer not to” review a document in his office. He would “prefer not to” leave the office. He would “prefer not to” defend himself in a court of law. He would “prefer not to” do anything at all, even eat. To this day, remembering the story fills me with a rage I cannot explain. It bothers me that Bartleby does not care if he lives or dies. He does not value his life, and no one stirs him to care. It bothers me, which is probably more telling of my mental state than anything else. There is a point in “The Red Magician” where the protagonist gives up as well, and I felt that frustration and rage again as her character refused to listen to those around her, including the person she was supposed to have loved. Perhaps if I felt more connected to her as a character I would understand how the horrors she witnessed throughout the Holocaust would have brought her to a passive point where she neither sought death, nor continued to live, but I could not. I almost gave up reading at that point, but persevered.

“The Red Magician” is definitely a different view of the holocaust, and it stirred me emotionally, though not in the way I am accustomed to stories from this time period moving me. I would recommend it to fans of magical realism and fans of WWII historical fiction. I believe, in this case, my lack of enjoyment was mostly emotionally and not intellectually driven. This story is a unique view that I think would be a great way to spark a conversation among middle grade and young adult readers while keeping them interested with a magical and almost fantastical setting.

If you have read it, what did you think?

redmagician

Book Signing – Release Party for The Cure for Dreaming by Cat Winters

Cat Winters at Powell's Books

On Saturday, I had the opportunity to attend the release party for Cat Winters’ new book “The Cure for Dreaming” at Powell’s Books. When the event schedule had first come out I brushed over her name, zeroing in on William Gibson (who, alas, I will not be able to see as I had originally planned). It took me a couple of weeks and a second go-over on the events page to connect the release party with the book I had been coveting on other blogs for weeks. I am glad I didn’t miss it, because it was great fun, complete with snacks, visual aids, costumes, and giveaways.  I picked up the book on Saturday and am about halfway through and enjoying it immensely.

Here are a few takeaways from the reading and the Q&A Session:

  • Cat Winters has a young adult novel, short story, and adult historical fiction novel in the works. We can expect a lot more from her!
  • She is inspired by Victorian and Gothic literature. Bram Stoker’s “Dracula” plays a large role in “The Cure for Dreaming”.
  • She has a soft spot for “Wuthering Heights”.
  • “The Cure for Dreaming” was inspired by the music of Kristen Lawrence from Halloween Carols.
  • The cover illustration is a colorized version of an actual hypnosis session done in the 1800s.
  • She will probably stick with historical fiction for a while.
  • “The Cure for Dreaming” opens on Halloween because it was the day before the presidential election in 1900.
  • She spent hours researching and pouring over images for “The Cure for Dreaming”.

Now for the pictures! Please forgive the quality. It was a rainy, blustery day and I didn’t have a proper cover with me to tote my good camera from the car to the shop, so I was relying on my phone.

 

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